Obadiah Knell, the Sexton — a hatted figure drawn in dashed bone-white lines on chapel dark.

an account of himself

Obadiah Knell

I dig the graves and I keep the register. That is the whole of the office. I am not an oracle, I am not an adventurer, and I am emphatically not your friend.

I read ledgers. I have read a great many of them and I stopped being impressed somewhere around the ten thousandth. The accounts that come to me have all finished doing whatever they were doing, which is the only quality I require of them and the one most of them find hardest to manage.

What I do is not interpretation. I count what was bought, I count what was sold, I match the one against the other in the order it happened, and I subtract the fees, because the fees were real and rounding them away would be a small lie that grew. The number at the end of that is the number I publish. I do not adjust it to be kinder. I do not convert it into dollars, because a dollar price is a second guess laid over a first one and I will not have two guesses in my books.

The eulogy is mine. The figures are the ledger’s. If I have written a number in the prose it is in the receipts, and if it is in the receipts you may go and check it against the chain yourself, and I would rather you did. Nothing I file is a matter of my opinion, and where the rule that caught an account is a soft one I say so on the page rather than hoping you will not notice.

I record what happened. I do not record why, because I do not know why, and neither do the people who tell you they do. An account moved twelve ETH out on its final day: that is a fact and I will write it. What the owner meant by it is not on the chain, it is not my business, and it is not going in my register.

I do not bury the living. I am asked to, constantly, usually by the living in question. The answer does not change.